‘Cartier and Islamic Art’ Exhibition Opens in Dallas
Following its Paris debut, “Cartier and Islamic Art: In Search of Modernity” has landed at the Dallas Museum of Art.

“Cartier and Islamic Art: In Search of Modernity” opened May 14 at the Dallas Museum of Art (DMA). It debuted last fall at the Musée des Arts Décoratifs in Paris.
Both art institutions developed the exhibition in collaboration with the Musée du Louvre and Cartier.
Through 400 objects, it shows the influence of Islamic art, architecture, and jewelry on Cartier in the early 20th century. Objects are on loan to the DMA from the jewelry house, the Musée des Arts Décoratifs, the Musée du Louvre, the Keir Collection of Islamic Art, and other international collections.
Louis Cartier (1875-1942), the grandson of Cartier founder Louis-Francois Cartier, was a partner and director at Cartier Paris. He collected Islamic art and had a penchant for Persian and Indian paintings and manuscripts.
At the turn of the 20th century, Louis would have had access to Islamic art through major exhibitions in Paris at the Musée des Arts Décoratifs in 1903 and 1912. The city also fostered lots of art dealing and collecting from markets like Persia, India, China, and Japan, all which influenced the look of Cartier jewelry.
They informed an aesthetic called “style moderne,” or “modern style,” now referred to as Art Deco.
The DMA exhibition highlights not only jewelry but also drawings and archival photographs from Cartier alongside Islamic artworks with similar styles.
Materials from India, Iran, and Arab nations also play an important role, with Cartier introducing them after Louis’ brother Jacques went on sourcing trips to India and Bahrain. This resulted in new color combinations courtesy of different gems, as well as engraved gemstones.
Iconic designs like Cartier’s “Tutti Frutti” styles bear the influence of this exploration.
Actual Islamic art was occasionally incorporated into jewelry after the 1920s, too. Enameled plaques, pottery shards, stone amulets, textiles, and miniatures taken from paintings were every so often worked into new designs.
“For over a century, Cartier and its designers have recognized and celebrated the inherent beauty and symbolic values found in Islamic art and architecture, weaving similar elements into their own designs. This bridging of Eastern and Western art forms speaks exactly to the kinds of cross-cultural connections that the DMA is committed to highlighting through our programming and scholarship,” said Dr. Agustín Arteaga, the DMA’s Eugene McDermott Director.
“Not only does this exhibition present our audiences with the opportunity to explore Cartier’s dazzling designs, but it also spotlights the strength of our powerhouse Islamic Art and Decorative Arts and Design departments, as well as those of our colleagues at the Musée des Arts Décoratifs and the Louvre.”
Four curators brought “Cartier and Islamic Art: In Search of Modernity” to life. They are: Sarah Schleuning, the DMA’s Margot B. Perot Senior Curator of Decorative Arts and Design; Dr. Heather Ecker, the DMA’s former Marguerite S. Hoffman and Thomas W. Lentz Curator of Islamic and Medieval Art; Évelyne Possémé, Musée des Arts Décoratifs Chief Curator of Ancient and Modern Jewelry; and Judith Hénon, Musée du Louvre Curator and Deputy Director of the Department of Islamic Art.
“Cartier and Islamic Art: In Search of Modernity” will run through Sept. 18.
There is an accompanying book of the same name.
The Latest

Jeffrey Zimmer's decades of leadership at Reeds Jewelers are defined by integrity, a love of sourcing gemstones, and a heart for community.

The new high jewelry design and production process takes 30 days or less from concept to completion, the auction house said.

The holiday catalog for 2025 features never-before-seen images of more than 100 one-of-a-kind masterpieces.

You deserve to know what you are selling–to protect your customers as well as your business and your reputation.

The brand has released a second installment of its collection of traditional and non-traditional commitment heirlooms.


Corey rescued New England chain Day’s Jewelers, preserving its legacy with strong people skills, pragmatism, and a “get-it-done” attitude.

Charles Robinson Shay was sentenced to life in prison plus 120 years while his accomplice, Michael James McCormack, got 75 years.

The upcoming show provides savvy retailers with the opportunity to stock their cases with best sellers in advance of the holiday season.

The auction house named a new global head of jewelry, as well as a new head of the jewelry department for the Americas.

As chairman of Schwanke-Kasten Jewelers, Tom Dixon has been tasked with honoring the past and shaping the future of the family-run store.

Katty Villapando Lyte and Mica Rencher received a $10,000 grant for their business, Shimmer Culture LLC.

The parents of the Dallas Mavericks rookie bought their engagement ring at a Day’s store in Bangor, Maine, in 1997.

The UK-based brand sourced the gemstones, which are fully traceable, from an artisanal mining community in Tanzania.

The trio of Advent calendars include a version with 18-karat gold and lab-grown diamond jewelry in a red lacquer jewelry box.

Created in collaboration with Nymphenburg Porcelain, the lock is part of a four-piece collection that took two years to bring to fruition.

Jewelry industry veteran Alisa Bunger has taken on the role.

The company and industry leader’s two-decade tenure with De Beers will come to a close at the end of the month.

“The Winter Egg” set the world auction record for a Fabergé piece twice at previous Christie’s sales.

The company will pay 1.5x silver’s current spot price for each pound of silver oxide batteries submitted.

The line includes a “Shadow” series crafted exclusively for the new men’s offering and reimagined styles from the brand’s core collections.

The rough on offer was recovered from a newer area at the Montepuez mine.

The retailer’s new collection of engagement rings and fashion jewelry is set with natural diamonds that are traceable via blockchain.

The champagne colorway in her newest “Ombré” collection combines white and trendy brown diamonds, a departure from her usual vibrant hues.

Kosann partnered with the Museum of Fine Arts, Boston, to create a set of necklaces inspired by the artwork on samurai sword handguards.

Carlos Jose Hernandez and Joshua Zuazo face life in prison for the October 2024 murder of 72-year-old Detroit-area jeweler Hussein Murray.

The brand’s first high jewelry collection, “Tempest” plays with movement while calling to mind the folklore of the sea.

Proceeds from its jewelry raffle will go to a volunteer-run fire and rescue group in the Lightning Ridge area of New South Wales, Australia.