Held just before the Oscars, the jewelry industry’s big awards show had its share of standout jewelry, gowns, and acceptance speeches.
Amid Market Changes, Leo Ingwer Is Going Branded
The jewelry manufacturer has made a slow transition toward a higher end, finished product as it also aims to get its messaging in front of consumers.

New York--It’s not news to anyone in the industry that today’s consumer environment has brought a lot of change to the jewelry market.
For many companies, the challenges have required them to adapt and innovate if they’re to grow and flourish.
For jewelry manufacturer Leo Ingwer, that has meant a change in their product line and messaging over the past couple of years to offer a better service for jewelers and target today’s consumer.
For decades after the company started in 1939, it served as a casting house, then slowly added things like semi-mounts and, in more recent years, full products to its offerings so that it can be a one-stop-shop business for its jewelers.
National Jeweler talked with Todd Ingwer, the company’s lead designer and a third-generation member of the family, about the direction the company is headed and what challenges lay ahead.
National Jeweler: What are the changes Leo Ingwer has been making to its business lately?
Todd Ingwer: My grandfather Leo started in 1939 with a large focus on mountings and engagement rings and wedding bands, essentially. Basically we were a casting house for, I’d say, a good 30 to 40 years. Sometime in the late ‘80s, early ‘90s, we started doing the semi-mounts and that was successful. Then as we entered into the new century, we’ve really been a little bit more design-focused and developing a little bit of a higher-end product than before. We’re now doing more of a finished product, even including a center stone if possible when necessary. That was something we started about five years ago, carrying GIA only and some non-certified stones but having a full inventory.
We now have our feet in both pools, to some extent--with a lot of people still thinking of us as that casting house and that certain type of product--and slowly turning the ship into a different direction.
NJ: When did Leo Ingwer start making this shift?
TI: I would say, the full commitment, about a year ago? I think it’s a slow shift. We’re a third-generation family business, so anything like this has to be handled with a bit of respect and finesse and understanding that change can be hard for certain people, but that you have to keep tweaking slowly but surely. The one thing that does bring quick change is hard times. When the economy crashed back in 2007, 2008, we quite honestly
What that can do sometimes is create a little bit of complacency and make it a little bit harder to make that adjustment, so you slowly start putting in ideas and changing little things because you don’t want to throw out the baby with the bath water, as they say. But all of a sudden, when you see that retail stores are going out of business at a record pace, you see that certain designers are struggling … all of a sudden it becomes very easy to try those other ideas and to look for that change because, you know what, what choice do we have?
“Now we’re definitely looking to get our name out there a little bit more and push our story, because I think that’s very important to today’s generation of buyers. They want to know the source. They want to know the story behind the source.”NJ: Why did you feel like it was the time to start making these changes?
TI: What prompted that was the market. In the past, they (jewelers) would have their diamond guy for the melee, they would buy the casting and semi-mount, they would have their own setter, they would have their own polisher, and they would run around putting everything together.
I think as the industry has evolved, people are looking for more of a one-stop shop kind of experience, which is something we’ve tried to provide. I’d say for the last 25 years, but then even more so over the last five years or even seven years, what we’ve recognized--and I think what everyone in the industry is talking about--is the tremendous amount of change that’s coming very quickly. Any time there’s this kind of change, it’s going to affect some people negatively and some of us are going to adjust and change our models a little bit to better represent the industry as it is today.
NJ: Is Leo Ingwer aiming to be a branded line in a jewelry store or to be a private label for jewelers?
TI: It’s a little bit of both, but obviously we’re looking more to brand our name. I think in the past, we were always sort of known as the “jeweler’s jeweler”… but the name Ingwer never really entered the retail customer’s mind. It wasn’t something that they knew about, other than being handed a catalogue to pick from the pictures. Now we’re definitely looking to get our name out there a little bit more and push our story, because I think that’s very important to today’s generation of buyers. They want to know the source. They want to know the story behind the source. They want to know what makes this special, what makes this company special, and why they should buy a ring made by us versus all the other competitors that are out there.
NJ: How are you getting the message out there that the company is changing direction, other than telling retail clients? Are you doing anything consumer-facing?
TI: Yes, this is what we’re building now, and I think that’s the biggest change. We’re now planning on doing a lot more outreach to that retail end-user to make sure that we have a little bit more of control over our story and brand and how it’s represented, and hopefully it’ll lead to people walking into stores and saying they want this ring from Leo Ingwer.
“I hear a lot of, I want to say complaining, about this current generation, this millennial generation, and after a while, it becomes enough. We can’t blame the customer, right?”NJ: You mentioned that you were going higher end. How is the product changing and how is the pricing changing?
TI: We have different levels now. My signature collection, which is sort of our super high end, hand-made is definitely at a higher price point than the normal Leo Ingwer. What we’re actually doing now is reconfiguring the classic Leo Ingwer product in a way that allows us to increase the quality and yet keep the pricing very similar to where it was. It has more simply to do with the way we manufacture things. I think back in the ‘70s, ‘80s, ‘90s, people wanted bulkier mountings, heavier mountings, whereas now, everything’s more delicate, and it’s about the quality of the work, the craftsmanship, the pave setting and the ability to really make these nice, delicate, intricate settings. The amount of gold being used or metal being used has maybe gone down, but the labor has increased. What we’re finding is that the pricing is very similar. That’s really the goal.
But I think one of the major changes is the story that we’re telling and who we’re talking to, and I think that’s really the key. I hear a lot of, I want to say complaining, about this current generation, this millennial generation, and after a while, it becomes enough. We can’t blame the customer, right? It’s about an experience … there’s so much information, there are so many options, there are so many different ways to go about accomplishing the same end goal of getting an engagement ring that you have to truly make yourself remarkable in some way, shape or form, and you have to figure out what that is. But to sit around and say that they don’t get it or they don’t understand or they don’t know loyalty, I reject that notion because I feel they do.
There’s always a shift in generational values to some extent, but I think that the core of it always stays the same. We have our core values that we’re staying true to, no matter what. Now the idea is how to make these core values fit in today’s business environment.
NJ: Since you’ve started making this change, what are your thoughts about what’s been working and what other challenges there are or retail response?
TI: That’s the hardest part, is the communication with retailers. I think we all know that there are some great retailers out there who, unfortunately, may not make it past these trying times. And there are others that will. I think it’s sort of that attachment to the old brick-and-mortar (mentality of), let’s get in a bunch of brands, let’s fill in the showcases, let’s do a radio commercial and let’s wait for people to come in the door. Those who are slow to adjust won’t make it. We find it very hard to communicate our changes with them. I think that’s our biggest challenge right now, and that’s what we’re working on. Hopefully we can do that successfully.
The Latest

The Brazilian mine’s new collection features cabochons in soft, muted shades like silver and lilac.

The Academy Award-winning actress stars in Tiffany & Co.’s latest commercial, which debuted Sunday night during the Oscars.

Every jeweler faces the same challenge: helping customers protect what they love. Here’s the solution designed for today’s jewelry business.

Natalie Francisco rounds up the top Oscars jewels, including Rose Byrne’s Taffin necklace with a more than 20-carat yellow-brown diamond.


Béatrice Goasglas has been with TAG Heuer since 2018. She is the first woman to head the 166-year-old, LVMH-owned watch brand.

The store features the first in-store build for the jeweler’s in-house “Bella Ponte” bridal brand.

With refreshed branding, a new website, updated courses, and a pathway for growth, DCA is dedicated to supporting retail staff development.

The live fine jewelry auction will take place later this week, showcasing antique pieces, rare gemstones, and signed jewels.

Our Pieces of the Week honor the 2026 nominees for the Gem Award for Jewelry Design, Silvia Furmanovich, Cece Fein-Hughes, and Catherine Sarr.

The 24-piece watch collection is set to debut in spring 2027.

Pooler, who has more than 25 years’ experience in jewelry, is now chief operating officer of Modani Jewels, Soham Diamonds, and SNJ Creations.

McCormack looked to the 19th century’s “golden age” of astronomy when designing her new celestial-themed collection.

Nelson will be honored as the inaugural grant winner at the Gem Awards gala on Friday.

The new smart design software allows jewelers to configure, price, and confirm a custom engagement ring in real time for in-store customers.

The 10,000-square-foot diamond manufacturing facility officially opened in late February and employs 50 people.

The MJSA Education Foundation’s scholarships support students pursuing jewelry careers.

The largest white diamond to come to market in the U.K. in more than a decade, the VVS1, I-color stone is expected to top $1 million.

Skelly shares her plans for reimagining the fine jewelry retailer she re-acquired after it faltered last year.

The collection takes inspiration from the emotional space between people, moments, and experiences.

In 2026, the jewelry retailer is celebrating a milestone only a small percentage of family-owned businesses survive to see.

The group of jewelers held a jewelry raffle in support of the Children’s Hospital of Richmond at VCU.

The jewelry giant released preliminary results for the fourth quarter and full year on Monday, with final results slated to come next week.

The retailer also gave an update on its vendor partnerships.

The award-winning actress is the “epitome of modern allure,” the brand said.

The “Bloom” collection draws from the flower power movement of the 1960s and ‘70s with inlay pendants offered in eight colorways.

The unique piece was one of the custom works offered at the foundation's recent silent art auction, which garnered nearly $15,000 in total.
























