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James Taffin de Givenchy has a Dedicated Coffee-Table Book
After 20 years of creating one-of-a-kind masterpieces, the work of the famed jeweler has been aggregated into a luxurious volume.
Sapphire crystal, diamond, silver, and platinum "wings" pin, 2006 © Taffin - photograph by Philippe de Givenchy for Taffin
New York--While one might assume that coming from a family as artistically lauded as the Givenchys would have its benefits, “there exists an unsaid rule that forbids the transfer of talent and fame,” writes Stephanie LaCava in Taffin, The Jewelry of James de Givenchy, out this week from Rizzoli.
LaCava’s assertion serves to highlight just how spectacular Taffin’s success has proven over his 20-year career in fine jewelry. His is a quiet success; he’s earned universal, industry-wide respect while running a business that caters to a private clientele via one-of-a-kind pieces.
Taffin is the nephew of Hubert de Givenchy, the founder of the fashion house and contributor of one of the forwards for Taffin.
Taffin studied at the Fashion Institute of Technology in New York before landing a job at Christie’s, where he hoped to work in the furniture division. Instead, he was placed in the jewelry department.
Six years later, he left Christie’s to work at Verdura before launching his own designs in 1996, inspired by the works of legends like Suzanne Belperron and JAR.
Taffin gathers more than 300 images of some of the jeweler’s greatest works produced in the past 20 years, accompanied by drawings, images of the designer’s atelier, and collages of inspirational images that lend a sort of visual pattern to the jewels, extending a piece’s narrative.
A pair of ceramic and inverted gemstone earrings sit opposite an image of a hedgehog, which serves to heighten the prickly texture of the jewelry. On another page, a collar that incorporates diamonds with strings becomes provocative placed next to a close-up photograph of a woman’s form in a corset.
An Australian opal, multicolor gemstone and platinum ring created in 1999 is juxtaposed with its inspiration, an image of molecules, continuing the narrative of the piece in Taffin. © Taffin - photograph by Philippe de Givenchy for Taffin
20161026_Taffin-2: 166.38 carats of pear-shaped kunzite set in a copper and gold pin, 2013 © Taffin - photograph by Philippe de Givenchy for Taffin
Fire opal, green tourmaline, gold, and platinum pin, 2011 © Taffin - photograph by Philippe de Givenchy for Taffin
Peridot, American freshwater pearl, and gold "flower" pin, 2000 © Taffin - photograph by Philippe de Givenchy for Taffin
Topaz, Montana sapphire, ceramic, and gold ear pendants, 2015 © Taffin - photograph by Philippe de Givenchy for Taffin
Sapphire crystal, diamond, silver, and platinum "wings" pin, 2006 © Taffin - photograph by Philippe de Givenchy for Taffin
This embrace of non-traditional materials, such as ceramic, wood, and even recycled metal from AK-47s, coupled with impressive gemstones is one of Taffin’s signatures, as is his embrace of color. His vividly hued ceramic bands, only created within the last year, have also developed into a Taffin trademark.
Ultimately, Taffin is an important career milestone, but far from a retrospective. The artist’s highly original imagination and quiet work ethic can be counted on to conjure up many more masterful works of jewelry.
Taffin, The Jewelry of James de Givenchy is written by the jeweler and
features words by Stephanie LaCava and forewords by Tobias Meyer, Hamilton South and Hubert de Givenchy. For more information, visit Rizzoliusa.com.
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