GIA Reverting to More General Terminology for Lab-Grown Diamonds
It will quit assigning the stones specific color and clarity grades in favor of applying “new descriptive terminology.”

This time, the lab is going right back to where it started from, sort of.
On Monday, GIA announced that beginning later this year, it will quit using the color and clarity nomenclature it developed for natural diamonds in evaluating lab-grown diamonds.
Instead, the lab will, first, confirm that the submitted stone is a laboratory-grown diamond and then evaluate its color, clarity, and finish to determine if it falls into one of two categories: “premium” or “standard.”
If the lab-grown diamond fails to meet the minimum standard for quality, it will not receive a designation from GIA.
The lab said it is making the change in response to the dramatic compression in the range of color and clarity seen in lab-grown diamonds, a change that has come about as a result of continual improvements in diamond-growing technology in recent years.
It also noted that this revision will “help consumers understand the important differences in the two products’ origin, ensuring their confidence and enabling them to make informed and educated purchase decisions.”
GIA said that since 2022, 95 percent of the man-made diamonds submitted to the lab for grading have been colorless, meaning they would receive a grade of D, E, or F, while 98 percent received a clarity grade of VS1 or higher.
Executive Vice President and Chief Laboratory and Research Officer Tom Moses remarked, “Similar to other man-made gem materials, we anticipate the continued acceptance and popularity of laboratory-grown diamonds.
“More than 95 percent of laboratory-grown diamonds entering the market fall into a very narrow range of color and clarity. Because of that, it is no longer relevant for GIA to describe man-made diamonds using the nomenclature created for the continuum of color and clarity of natural diamonds.”
Moses’ remarks echo those he made in a 2016 interview with National Jeweler in which he explained the rationale behind GIA’s approach to grading lab-grown diamonds.
At that time, GIA used broader terms to describe lab-grown diamonds, calling stones in the D-F range “colorless” and those in the G-I range “near colorless,” and using only four clarity grades for the stones, VVS, VS, SI or I, compared with 11 for natural diamonds.
Moses said at the time that GIA chose to do it this way because lab-grown diamonds just aren’t going to have the same color and clarity range as mined diamonds.
To GIA, it didn’t make sense to apply its grading system—which Moses noted was developed for “normal mine run” in the 1940s, long before lab-grown diamonds were hitting the market in the quantities they are today—to man-made diamonds.
GIA first began accepting lab-grown diamonds for grading in 2006.
It announced the first shift in how it approaches the stones after the Federal Trade Commission rolled out its revised Jewelry Guides in 2018. Among the revisions was the removal of the word “synthetic” from the list of recommended terms for referring to lab-grown diamonds.
In light of this update, the lab announced in April 2019 that it would be changing the name of what was then called the GIA Synthetic Diamond Grading Report to the GIA Laboratory-Grown Diamond Report.
It also started including the standard color, clarity and cut grading scales on the reports, but for reference purposes only; the lab did not start grading lab-grown diamonds the same way it did natural stones.
A little more than a year later, that changed.
In August 2020, GIA announced that it would start using the same specific color and clarity grades for both natural and lab-grown diamonds, citing the “growing acceptance in the trade and by consumers of laboratory-grown diamonds as a distinct category.”
Now, nearly five years since that announcement, GIA is pivoting yet again.
This time, the lab is arguably using even broader terminology than it did when it first started accepting lab-grown diamonds for grading nearly 20 years ago.
It is going from using the terms “colorless” or “near colorless” and a limited range of clarity grades to evaluating both qualities together, along with finish, to determine if man-made stones are “premium” or “standard.”
GIA said it is still developing pricing and submission guidelines for its new lab-grown diamond grading service.
It expects to announce more specifics in the third quarter. In the meantime, existing GIA reports for lab-grown diamonds remain valid.
The release does not mention if the reports, or whatever is forthcoming with this new service, will have a different name.
It also does not mention if there will be any changes to the way GIA applies the other two Cs to lab-grown diamonds—carat weight and cut, which is a factor introduced during the manufacturing process and thereby can exist on a broad continuum for both natural and lab-grown diamonds.
GIA said its current services for lab-grown diamonds will continue to be available until the revised descriptive system for lab-grown diamonds is finalized later this year.
The Latest

The top lot of the auction house’s Hong Kong jewelry sale was an Art Deco Mauboussin necklace with ruby beads, which sold for $2 million.

Retailers and manufacturers headed to the Capitol this week to discuss tariff exemptions for diamonds and gemstones, among other issues.

Our Piece of the Week is a pair of drop earrings from the “Sway” collection featuring Nanis’ first use of mirror-polished gold.

Experience gemstones with greater precision and comfort than ever before.

SynthDetect 2 can scan a full tray in less than five minutes, De Beers said, making it six times faster than its predecessors.


Two metal detectorists discovered the ring, which may have belonged to English noblewoman Matilda of Lancaster, in Suffolk.

The bill has a provision that allows the president to raise tariffs on countries that import Russian oil and gas to as much as 100 percent.

Submit your pieces for a chance to win in this year's competition.

The American Gem Society presented the annual award to a former president of its board.

The “Chrysalis” capsule centers butterfly motifs representing growth, transformation, and the unfolding of who you are.

Jewelers of Louisiana presented Patton, the third-generation president of Pattons Fine Jewelry, with the award at its annual convention.

Two special guests join the podcast to commemorate the 10th anniversary of the designer advocate, mentor, and author’s untimely passing.

McCormack brings sea-inspired motifs from her “Beaches” collection to L’Objet’s tableware, vanity pieces, and first-ever cutlery set.

Nine New Jersey jewelers have been victims of smash-and-grab robberies this year, prompting JSA to circulate a list of recommendations.

Marlin “Brian” Hood, who has been with the store for 20 years, will succeed Ricky Bromberg, who died earlier this month.

The new bridal catalog features the latest jewelry collections and designs from timeless classics to modern silhouettes.

Stars wore either a necklace or earrings at 78th Primetime Emmy Awards but rarely both, Natalie Francisco notes.

Jennifer Shaheen compares this new era of AI-powered SEO to a video game: your website must clear one level before advancing to the next.

The program highlights “Made in Italy” fine jewelry with digital merchandising, sales education, and local marketing support.

Hilson, Signet’s chief operating and financial officer, discussed Q2, resurgent natural diamond demand, and why Blue Nile is a standout.

The stores that have a great December are the ones that made good decisions in August, September, and October, Sherry Smith writes.

The 22.09-carat fancy yellow “Pragnell Kimberley Sunshine Diamond” is part of the fall jewelry sale at Heritage Auctions.

“Adornos: Jewelry, Memory & What We Pass Down” honors the jewelry’s importance to New York City’s Latine communities.

The company’s managing director of sales said the results demonstrate “continued strong demand for commercial-quality emeralds.”

The nonprofit awarded a grant to the Gift of Sight initiative spearheaded by South African musician Black Coffee.

The Latine-owned New York jeweler is marking two milestones this year: its 50th anniversary and the 25th anniversary of the 9/11 attacks.

The jewelry retail broadcast network has sponsored a new space for Make-A-Wish East Tennessee on its campus in Knoxville.
























