Tom Moses Looks Back on His Decades at GIA
Moses, who will leave the lab in May after nearly 50 years, discusses his start in the business, gemstones that stand out, and what’s next.

Like me, Tom is a fellow former Pittsburgher. He grew up in Butler County, Pennsylvania, less than an hour from my home in neighboring Beaver County.
His introduction to the jewelry industry came via his family.
In 1949, after serving in World War II, Tom’s father, Merril Moses, used the G.I. Bill to attend a watchmaking school in Pittsburgh and then started in the jewelry business as a watchmaker.
“As with most family businesses, [when] I was 13 or something, I was called upon in the evening and on weekends and summers to come to work and do odds and ends,” Tom recalled.
This meant cleaning a lot of glass and vacuuming—or “running the sweeper,” as they say in Western PA—as well as learning how to engrave and repair jewelry.
Along the way, Tom became interested in gemstones and in a little section of GIA’s Gems & Gemology that he remembers as “Notes from New York,” the forerunner to the “Lab Notes” section in the journal today.
Authored by two men now considered legends in gemology, Richard T. Liddicoat and G. Robert Crowningshield, the section consisted of one- or two-paragraph blurbs about gemstones, explaining, for instance, the chemical composition of an emerald.
After college, Tom attended GIA, then in Santa Monica, California, earning his Graduate Gemologist diploma in 1976.
What followed was about a decade of alternating between working at GIA—he was in the Santa Monica lab for a few years in the late ‘70s/early ’80s—and at his family’s jewelry store, Moses Jewelers.
Tom said though his father probably would have preferred he stay with the family business, he never outright asked him to do so. He allowed his son to follow his own path, something Tom came to understand and appreciate when he became a father.
In 1986, he left the family business for the last time to take a job at the GIA lab in New York, working alongside Crowningshield.
“That kind of started the journey. It was a great opportunity to learn and be mentored.”
All told, Tom’s been at GIA for about 45 years, a long stretch by any standard but in his mind, not long enough.
Tom said just a couple years ago, he told a few colleagues that he’s “running out of time” and will never feel like he accomplished enough.
“My mentors were just so good; they were just incredible. I had hoped to get to that level and I just didn’t,” he said.
That seems like an insane statement for somebody as well regarded and respected as Tom, who won the Richard T. Liddicoat Award for Distinguished Achievement in 2002, was elected to the GIA Board of Governors in 2013, and will leave GIA in May with the title chief of gemological research, emeritus.
He also has co-authored more than 100 technical articles for Gems & Gemology and other peer-reviewed journals over the years.
Looking back, though, Tom said he would have liked to have done even more writing and research, but he got involved with the business side of the lab’s operations, helping it to expand internationally.
GIA opened about half a dozen labs overseas between 2005 and 2010.
It was a worthy pursuit but one that took time away from pursuing his passion, gemology, a conflict many professionals face as they ascend in their careers.
The day-to-day responsibilities of running a business eat up much of the day, and more creative pursuits, like designing jewelry or (in my case) writing long-form stories, get pushed to the side.
Still, next to Tom’s computer at his desk at GIA’s New York lab on 47th Street is a microscope. He’s had this instrument for about 20 years so it’s not “the latest or the greatest” but it gives him the opportunity to become “hypnotized” by a gemstone.
“It takes me to a peaceful place where I can focus on the gemstones. I’m still as fascinated [by gemstones] as I was 50 years ago, which is a lucky feeling.”
The first question that came to mind when I thought about my exit interview with Tom was, what is the most interesting stone you’ve had the opportunity to examine? It’s not a terribly original question, I realize, but this inquiring mind wanted to know.
“That question comes up a lot and I answer differently,” he said.
He mentioned the “La Peregrina” pearl, part of Elizabeth Taylor’s incomparable jewelry collection, which set records when Christie’s auctioned it in 2011.
The pearl had one or two not insignificant scratches on its surface, which Tom believes were from her dog.
There was also the time he got to handle and examine the 2,488-carat stone unearthed in Botswana in August 2024, the “Motswedi” diamond, pictured at the top of the article.
It is the second largest rough diamond ever found and weighs more than a pound.
“The thought about using a pound to talk about a diamond ... it was amazing. It was an incredible diamond,” he said.
“I'm hoping tomorrow I'll [be able to] tell you another story about something that equally impressed me.”
Tom said he first began having conversations with the GIA Board of Governors about transitioning a couple of years ago. It, he acknowledged, is time to move on.
He recalled a conversation he had with GIA founder Robert Shipley more than 40 years ago, who relayed how the board had to kind of “encourage” him to retire when he stepped down in 1952.
He doesn’t want to reach the encouragement stage.
“I don’t ever want to be in a situation where someone really kind of reminds you, it’s time to go. I don’t think I reached that stage, but I think it’s the right time.”
Tom said he’s not retiring but doesn’t have plans to go anywhere else right now. He said he will take a little time away—which for Tom, means a few weeks—before he decides what’s next.
As for that microscope next to his desk, he said he might try to take it with him when he goes.
I won’t tell anyone, Tom. Best of luck.
The Latest

The “River of Heaven” necklace, our Piece of the Week debuting at Couture, combines 26 salt and pepper diamonds spaced by Tahitian pearls.

This year’s inductees include second-, third-, and fourth-generation jewelers.

The author, speaker, and entrepreneur will give his presentation, “Spiritual Billionaire,” on Saturday morning.

As gold prices rise, today’s retailers are looking for alternatives at prices that will appeal to wider audiences.

Three-time Grammy award-winning artist Nelly is set to perform at the annual event at Tao Beach on Sunday night.


Signet will integrate the online-only, natural diamond-focused jeweler into Blue Nile, which it wants to position as a higher-end retailer.

These up-and-coming jewelry brands are bringing their distinct aesthetic and unique point-of-view to the Design Atelier for the first time.

With the trade and customer trust in mind, GIA® developed NextGem™ – on-demand training designed specifically for retail.

The lab’s proprietary diamond cut grade has been expanded to include the popular fancy shape.

This year, it’s what could happen outside of show hours that worries JSA Executive Vice President Scott Guginsky.

High-end fashion houses know how to emotionally connect with customers online. Retail jewelers should take note, Emmanuel Raheb writes.

The designers are the third cohort of mentees from the show’s Belonging @ Couture mentorship program.

Buying discipline at trade shows starts with clarity about your inventory levels, Smith writes.

The trade show’s education series returns, with sessions on retail trends, AI, watches, marketing, corporate responsibility, and more.

The Curated Designer Project has expanded to highlight eight independent jewelry designers during CBG’s Las Vegas show.

Bring a cool tone to your summer jewelry with these white metal pieces.

The deal closed this week, which means Instore will produce the JA NY show slated to take place this fall.

The company’s jewelry sales were up in Q4 and the fiscal year, with Richemont raising prices in part because of the cost of gold.

The “Bauble” capsule collection of colorful one-of-a-kinds includes our Piece of the Week, the “Bauble” earrings, featuring rose zircon.

The updated catalog has a newly dedicated section for gift wrapping.

Everett covers colored stones’ surging popularity, the mellow return of the “Mellon Blue,” and his “The Devil Wears Prada” doppelgänger.

Fourth-generation CEO Lilly Mullen wants to emphasize experience, connection, and personalized service.

The new award, created in partnership with Henne Jewelers, honors the late designer’s legacy through supporting jewelry education.

The addition of the diamond-producing countries as nation affiliated members broadens the federation’s global representation, WFDB said.

The NYPD is warning elderly New Yorkers to keep their jewelry hidden when walking outside to avoid being a target.

Designer Viviana Langhoff has realized her dream of owning a space for her Chicago jewelry store that looks and feels like her brand.

The sessions will run from Friday, May 29, to Sunday, May 31, with one being a live taping of an episode of Couture’s podcast.



























