The retailer’s “On the Clock” campaign celebrates how time, precision, and purpose come together.
The History Behind … Art Deco
The latest in National Jeweler’s The History Behind series explores one of the most popular and influential periods in jewelry design, the Art Deco era.
New York--It’s a period that’s so popular, and has enjoyed so many revivals, that the term Art Deco is used loosely to refer to jewelry, architecture and furniture from many different decades.
To truly be Art Deco though, a piece must have been manufactured in the period between the two World Wars. Otherwise, it is just Art Deco style.
For this installment of The History Behind, National Jeweler turned to two antique experts--Janet Levy, of antique jewelry company The DeYoung Collection, and Patricia Faber of the Aaron Faber Gallery--to learn more about the origins of the era’s clean aesthetic.
When did Art Deco jewelry first appear on the market? Both Levy and Faber agree that there are no firm dates for any period of jewelry design; one movement simply blends into the one that follows.
“There’s not this kind of wall that divides anything,” Levy said. “It’s very fluid.”
While a touring exhibition put together by the Victoria & Albert Museum in London defines the period as 1910 to 1939, Levy said in her mind, the earliest Art Deco pieces date from about 1918 or 1919, with interest in the movement waning in the 1940s.
Why it is called Art Deco and what influenced the design of the period? Art Deco took its name from the Exposition Internationale des Arts Décoratifs et Industriels Modernes (the International Exposition of Modern Decorative and Industrial Arts). It took place in Paris in 1925 and is said to have done more to advance the worldwide popularity of Art Deco design than any other exposition of its time.
Like most movements in design, Art Deco was a rejection of the soft, curvy forms of the period that preceded it, Art Nouveau.
It was after World War I, and “People needed an escapist, happy expression coming out of that horrible war,” Levy said.
Women enjoyed a period of liberation in terms of their hairstyles, lifestyles and clothing--think how little the flapper girls of the era wore--and wanted new, fresh-looking jewelry to go with it.
They could have it, thanks to the growing use of machines, which could produce jewelry with clean lines, and produce it in greater amounts than was possible in the past.
Art Deco also was
How would you describe the aesthetics of Art Deco jewelry? Art Deco is, as Faber so perfectly described it, graphic, linear and geometric. To see these traits on a large scale, one merely has to look at some of New York City’s most iconic buildings, the Chrysler and Rockefeller Center.
Levy noted that there are two forces at play in any Art Deco piece. There’s the very strong, geometric structure and then the expression taking place within that structure.
Think: the floral or pyramid-like patterns visible in the beautiful, clean diamond and colored gemstone-set bracelets, brooches and earrings from houses such as Boucheron, Van Cleef & Arpels and Cartier and, in the United States, Raymond Yard.
Art Deco also was the era that Cartier’s artisans came up with the Tutti Frutti design, which featured diamond and carved, colored gemstones, influenced by the Mughal period in India.
What materials were popular? Platinum was the most widely used metal of the era.
Gemstone-wise, it was diamonds and colored stones, particularly the big three: sapphires, emeralds and rubies. Levy said there also were a lot of fancy cuts used during the period, including fancy cuts in color.
Is Art Deco the most influential period in jewelry design? Both Levy and Faber said yes.
“Etruscan and Scythian jewelry shows up most often throughout (history) but I think Art Deco in the modern era is strongest, and I think it’s the most popular,” Faber said.
It’s enjoyed a number of revivals throughout history, including in the late 1980s and early ‘90s, and influences the geometric designs that are en vogue today.
The clean lines continue to appeal.
“You never get tired of it,” Faber said. “I never get tired of looking at the Chrysler Building and jewelry has a lot of the same visual appeal. There’s always something new to see in the design.”
How can retailers add authentic Art Deco pieces to their estate jewelry inventory? Levy said jewelers need to be pro-active in order to snag pieces from this still-popular era.
She recommended attending estate jewelry shows--one example is Lueur, which is coming up at end of October in New York--as well as visiting reputable dealers to look at jewelry, analyze its quality and compare prices.
Price points for Art Deco jewelry start as low as $2,000 for a simple bar pin and can climb to $10,000 to $20,000 for bracelets that aren’t signed, which Levy considers a good deal. More elaborate signed pieces, meanwhile, can sell for upwards of $1 million at auction.
Faber also recommended the auction houses as good sources for retailers, as they edit their offerings carefully. “You’d be less likely to find authentic Art Deco privately,” she said.
The Latest
Associate Editor Natalie Francisco chose her 12 favorite Piece of the Week picks from the year gone by.
Lab clients have the option to request this addition on their emerald reports.
A Diamond is Forever hosted a holiday celebration in honor of their new marketing campaign, ‘Forever Present.’
Jamie Dunton and Gabriella Botelho are the first graduates of the program, created by the WJA Foundation and Julius Klein Diamonds.
In the spirit of giving, Retrouvaí will donate $4,000 from the sale of this ring to the Los Angeles Regional Food Bank.
Co-owner Dan DeVries shared what it’s like moving into a space triple the size of its old store and how it feels to be a “real jeweler” now.
‘Forever Present’ campaign revives the iconic A Diamond is Forever tagline and celebrates the diamond dream.
Along with the latest “Gardens” collection, the brand has released limited-edition designs offering more indulgent pieces.
The man and woman are accused of stealing jewelry from a shipping container then trying to flee by paddling a small boat out into a bay.
The 2,488-carat diamond recovered from a mine in Botswana has been dubbed “Motswedi” while its 1,094-carat sibling is “Seriti.”
The average price per carat hit a record high for the miner, which said it remains unaffected by the conflict in Mozambique.
The nearly 17-carat stone made history for the color-change gem that, according to the auction house, is experiencing a “notable surge” in the market.
More than a century after survivors gifted a Tiffany timepiece to the captain of the ship that rescued them, the jeweler has reclaimed it.
The videos highlight how pieces from the “Xpandable” and “Reversible Xpandable” collections put the wearer in the spotlight.
Feldman reflected on 45 years in the jewelry industry and clarified that it’s not a total retirement.
The luxury brand is being honored for excellence in high jewelry design in its “Haute Joaillerie Sport” collection.
Circelli was a pioneer in the world of TV shopping who is remembered for his passion for gemstones and his big personality.
The nearly 6-carat stone headlined the recent jewelry auction, which also featured Mica Ertegun’s jewelry.
The three men, who got their nickname because they’d toss the jewelry they stole into black plastic bins, were arrested back in August.
Gearys opened a 6,200-square-foot Rolex store with a design that pays homage to the brand’s connection to the ocean.
The diamond cut grade is now available for marquise- and pear-shaped diamonds.
DDG said the honorees’ business practices embody a commitment to positive social impact, industry innovation, and community empowerment.
These half-moon tanzanite earrings totaling 25 carats are part of a special trunk show taking place this weekend in Dallas.
The National Jeweler editors recap the top news, the best jewels, and their favorite stories of the year.
The highest-grossing lot of the sale was the retired QB’s Rolex Paul Newman Daytona “John Player Special.”
Recent expansion initiatives at the Zambian emerald mine have shown strong production numbers, said Grizzly founder Abdoulaye Ndiaye.