Researchers Uncover Bejeweled ‘Golden Boy’ Mummy
The ancient Egyptian teenager was buried 2,300 years ago with 49 amulets to guide him through the afterlife.

The wrapped mummy was buried around 2,300 years ago in the late Ptolemaic era in a southern Egyptian cemetery and has been stored, undisturbed, in the basement of the Egyptian Museum in Cairo since 1916, according to a study published last week in Frontiers in Medicine.
“In the past, mummies were unwrapped and subjected to invasive dissection for research and entertainment. Finding an ideal compromise between investigating a mummy and not destroying it encouraged the use of less invasive methods,” said the study.
The team used Computed Tomography, or a CT scan, combined with 3D printing technology to get a better look at the mummy and its jewels.
The study was approved by the Egyptian Ministry of Tourism and Antiquities.
The mummy is thought to be a teenage boy, between 14 and 15 years old. The cause of death could not be determined and museum records gave no additional information about his identity, though the presence of gold amulets signifies a high socioeconomic status level, said researchers.
His body was covered in a brown wrapping with a gilded head mask on top. The mask’s eyes and eyebrows are inlaid with stones while the eye pupils are made of black obsidian.
Inside the mummy and between the wrappings, the scientists found 49 amulets of 21 different shapes, including a scarab and the Eye of Horus.
The scarab represents the god Kheper, who was said to move the sun across the sky. A scarab amulet was thought to hold the power of resurrection.
The CT images found seven scarab amulets, six on his head and one in his torso. The one in his chest is likely a gold heart-scarab, which is a large amulet inscribed with text from The Book of the Dead, an ancient Egyptian religious text.
A right-angle symbol, used by architects as a leveler, was also found in the torso, thought to bring balance to the deceased.
The Eye of Horus, also called an udjat, represented the god Horus and was meant to provide healing and regeneration. It was popular among the living and the dead in ancient Egypt.
The bottle amulet represented the situla, a metal bucket used to carry holy water.
The djed amulet, which looks like a pillar, symbolized the backbone of the god Osiris and was meant to ensure the dead’s revival.
The tyt amulet, also known as the god Isis’ knot, provided her protection. The double-plume amulet symbolized two lives, spiritual and material.
Researchers also discovered a gold amulet inside his mouth, placed there so he could speak in the afterlife.
“The embalmers placed amulets to protect and provide vitality for the body for the afterlife,” said the researchers.
Amulets have also been found inside the mummies of kings, like Amenhotep I, Seti I, Ramesses II, and Ramesses III.
Ancient Egyptians believed an amulet’s magical power came from its shape, material, and color.
Thirty of the amulets were metal, likely gold, while the others were made of stone, fired clay, or Egyptian faience, a glazed ceramic material.
“The presence of golden amulets within the studied mummy indicated an expensive mummification process,” said the study, providing insight into the boy’s socioeconomic status.
Where the amulets were placed on the body was also important and a symmetrical balanced arrangement was common in mummies of the time.
The amulets were arranged in three columns, across the midline and bilaterally.
The mummy is now on display in the Egyptian Museum’s showroom alongside a documentary sharing the CT data and images. Visitors are able to hold the 3D printed golden scarab.
The goal of the display is to humanize the “Golden Boy” and teach museumgoers about life in ancient times.
The Latest

Our Pieces of the Week honor the 2026 nominees for the Gem Award for Jewelry Design, Silvia Furmanovich, Cece Fein-Hughes, and Catherine Sarr.

The 24-piece watch collection is set to debut in spring 2027.

Pooler, who has more than 25 years’ experience in jewelry, is now chief operating officer of Modani Jewels, Soham Diamonds, and SNJ Creations.

Every jeweler faces the same challenge: helping customers protect what they love. Here’s the solution designed for today’s jewelry business.

McCormack looked to the 19th century’s “golden age” of astronomy when designing her new celestial-themed collection.


Nelson will be honored as the inaugural grant winner at the Gem Awards gala on Friday.

The new smart design software allows jewelers to configure, price, and confirm a custom engagement ring in real time for in-store customers.

With refreshed branding, a new website, updated courses, and a pathway for growth, DCA is dedicated to supporting retail staff development.

The 10,000-square-foot diamond manufacturing facility officially opened in late February and employs 50 people.

The MJSA Education Foundation’s scholarships support students pursuing jewelry careers.

The largest white diamond to come to market in the U.K. in more than a decade, the VVS1, I-color stone is expected to top $1 million.

Skelly shares her plans for reimagining the fine jewelry retailer she re-acquired after it faltered last year.

The collection takes inspiration from the emotional space between people, moments, and experiences.

In 2026, the jewelry retailer is celebrating a milestone only a small percentage of family-owned businesses survive to see.

The group of jewelers held a jewelry raffle in support of the Children’s Hospital of Richmond at VCU.

The jewelry giant released preliminary results for the fourth quarter and full year on Monday, with final results slated to come next week.

The award-winning actress is the “epitome of modern allure,” the brand said.

The “Bloom” collection draws from the flower power movement of the 1960s and ‘70s with inlay pendants offered in eight colorways.

The unique piece was one of the custom works offered at the foundation's recent silent art auction, which garnered nearly $15,000 in total.

Bulgari named Gyllenhaal as its brand ambassador for his embodiment of artistic depth, intellectual curiosity, and warmth.

Awards were given to four students, one apprentice, and an emerging jeweler.

The top jewelry lot of the late model’s estate sale, hosted by John Moran Auctioneers, was an Oscar Heyman & Brothers for Cartier necklace.

Moses, who started at GIA’s Santa Monica lab in 1976, will leave the Gemological Institute of America in May.

Increased competition, falling lab-grown diamond and moissanite prices, and the rising cost of gold took a toll on the moissanite maker.

The earrings, our Piece of the Week, feature pink tourmalines as planets orbiting around an aquamarine center set in 18-karat rose gold.

“The Price of Freedom” campaign video for International Women’s Day confronts the quiet violence of financial control.

Also, a federal judge has ordered that companies that paid tariffs implemented under the IEEPA are entitled to refunds.






















